When Sam went away, for five days in early August, to find some whitewater in Quebec with friends, I started preparing for the arrival of my aunt and uncle for a visit I had been looking forward to for months. I felt incredibly honored that they wanted to come; they are eighty and seventy-nine years old, and they have kids, grandkids, and even a great grandkid of their own. I felt so flattered that a trip to Vermont factored into their busy lives.
that' what i do
That's what I do when I'm not sure what else to do, but I know I need to do something.
Either that or I go buy lemons.
Saturday, August 24, 2013
Family
When Sam went away, for five days in early August, to find some whitewater in Quebec with friends, I started preparing for the arrival of my aunt and uncle for a visit I had been looking forward to for months. I felt incredibly honored that they wanted to come; they are eighty and seventy-nine years old, and they have kids, grandkids, and even a great grandkid of their own. I felt so flattered that a trip to Vermont factored into their busy lives.
Thursday, July 25, 2013
20 Years, Part II
Here’s the thing: it’s impossible for me to have any one single feeling about this 20th anniversary. In some surprising way, it also feels like a celebration. I can’t think about my mother--my beautiful, amazing mother--without also thinking about my daughter. And Quinn is all possibility, all new beginning, she is oxygen. And breathing the world in with her is like having part of my heart resuscitated after all these years.
“The only thing worth grieving over
[is] that sometimes there [is] more beauty in this life than the world [can] bear.”
-Collum McCann
Sunday, July 21, 2013
20 Years, Part I
Twenty years ago, this month, my mother died of lung cancer. She was 46 years old, and would have turned forty-seven the next day. I believe she died angry; she was not at peace.
Do not go gentle into that goodnight. Rage, rage against the dying of the light.
-Dylan Thomas
Saturday, July 6, 2013
Wolf, Wyoming
Wind on open grassland is like the ocean: a steady march of waves against the shore with incoming tide. Here the waves are green and gold and ceaseless--no coastline to mark the end, just prairie wider than your vision, even as you scan the broad horizon looking for the terminus with your sweeping gaze.
The sound too is like the ocean: wind through tall grass, through stiff spruce at the edge of the meadow, is water crashing against sand. Only the paper flutter of Aspen leaves anchors you to the Earth, to solid, knowable ground. Aspen leaves and the chitter and whistle and melody of birdsong.
Here, by the house, the trees hold up the sky. Step out from under them, walk down the red gravel road, and the weight of it all--the interminable expanse of sky--presses down on you. It is impossible to take it all in. Impossible to be still as your mind measures and scans and rescans. As you try to find the edges of what cannot be contained or defined.
Writing it down is my only meager tool to make sense of the magic of this life. Words, like prayers, called up and offered in the hope that some understanding will come. They come of their own accord, words whose source seems somewhere outside my own thoughts, originating in some unseeable spirit, allowing me, momentarily, to grasp this ephemeral experience of being human and alive.Words, like prayers--a meditation. I am the gold finch pulling seeds from the feeder in the roar of tumultuous wind, riding golden waves of sweet grass and sage. So much that cannot be contained. We are temporary vessels transporting infinite energy.
Tuesday, June 25, 2013
And So It Begins
One day, not long ago, Quinn looked up at me while I was getting dressed and she said, “Mom, you’re my best fwiend.” She smiled at me and nodded, as if to reinforce it, yup, that’s right, best fwiend. (Not a typo, incidentally; she can’t say r’s bewy well). I responded, as any reasonable adult would, by dropping my earring and starting to cry. She smiled proudly and seemed to be making a mental note.
I’m sure it would be hard to explain to other adults why I grabbed a three year old by the face and shoved her to the ground, so instead of doing that I just said, calmly, “Hey, Quinnie...” And she looked up, called my name, and ran to me for a hug. I told her she could come play with me, anytime and for the rest of time, and we promptly left those little twerps there in the mud.
If you eat this potato, I’ll read you a book while you have dinner. No.
If you try just this little bit of potato, we can “play puzzles.” No.
If you have this tiny little minuscule piece of potato, you can have some Nems! No.
Sunday, May 12, 2013
Teenage Years
Teaching high school kids is like getting a do-over on your own teenage years. Mine weren’t particularly awesome, so I’m generally glad for the opportunity.
What I do know is that I understand the world a bit better now, and spending my days in a high school, surrounded by high school kids, allows me to look back on my own experiences with better perspective. In between conversations about books, or trying to explain what makes a good thesis statement, I have a lot of opportunities to hang out with kids and talk with them about what’s going on in their lives. Always I am reminded of those same conversations I had with my mom.
Wednesday, April 17, 2013
The Darkness and the Light
Yesterday we were driving from Pennsylvania to Boston, after a visit with Sam’s parents, for a quick visit with my family, before heading home to Vermont after our long vacation road trip. We took Route 84. I hadn’t looked at the map, and was just following Sam’s directions and the signs. I was caught off guard, in the middle of that beautiful day, to see a sign that read: Newtown/Sandy Hook 1 Mile. Immediately I started wondering about the families, and thinking about the children. I tend to react viscerally to tragedy, even when the tragedy is not my own, and I sensed myself starting to get pulled toward the kind of sadness that is hard for me to get out of easily.
I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.
In the nearly twenty years since my mother's death, I have only been to her grave once since she was buried, and only then because my aunt was buried in the same cemetery. While I have never had the kind of comfort a belief in heaven would provide, I have never doubted that my mother's energy departed her body as air.
And yesterday, as that mile of highway rolled by outside my window, and we got closer and closer to the Newtown exit, where twenty beautiful kids lost their lives, something else happened that struck me as one of those impossible to deny, presence-of-some-spiritual-energy moments.
Wednesday, April 10, 2013
All At Once
“I fell in love the way you fall asleep: slowly, and then all at once.”
-John Green, The Fault In Our Stars
I often tell people that I wasn’t sure whether or not I wanted to have a kid until Quinn was three months old, and when I tell people that, I’m not actually kidding. I made the conscious choice, but I really had no idea what that choice meant. And even though I stayed awake through Quinn’s first night holding her and staring at her and thanking her for being okay--on that first night at the end of the day on which she was born, while Sam slept in the other bed in our hospital room--even then I didn’t love her in a way that I could fully identify. And in the first three months after that, as I tried to figure out what she was all about and what happened to life as I had once known it, even though I was focused solely on her existence for 24 complete hours of every day, even then I couldn’t quite put my finger on what she meant to me. After three months I started to find her more lovable each day. By six months I was really enjoying hanging out with her. By eight months, when we were on vacation on the Outer Banks, and she was sitting up on her own in our borrowed beach house, smiling a lot and happily playing with toys, I started to find her really irresistible. But then, sometime after that, I fell off the cliff.
The sad moments aren’t so much sad as they are an awareness of the potential loss of happiness. The threat of losing her somehow, when I acknowledge that threat, overwhelms my fragile composure. It is a painful jolt that I knowingly inflict on myself, like a finger in a socket; I'm not sure why. Perhaps it is to keep myself on guard, always scanning the horizon for a car, rogue wave, killer bumble bee...who knows. Perhaps it is to keep myself on guard to notice, enjoy, appreciate each moment, knowing there are not an infinite number of moments to be had.
Two years after Quinn first started sitting up on her own and smiling happily at her toys, we are back on Cape Hatteras, thanks to the continued generosity of friends*, staying in the same sweet beach house. Only now Quinn is pushing her own babies down the road, with her own stroller, and she is digging holes in the sand at the beach, and collecting shells and following plovers as they try to escape her. She seems taller, and more grown up than I thought two year olds were supposed to be. She is happening so fast, I can’t comprehend it.
There is much I can’t comprehend:
Quinn: I don’t wanna wear that shirt, Mom. My eyes are too cold.
Me: What?
Quinn: Mom! (squint. squint.) My eyes are too cold!
In my clearer moments I acknowledge the tenuous comfort of this unfortunate truth: “You cannot protect yourself from sadness without protecting yourself from happiness.” -from Jonathan Safran Foer’s novel Extremely Loud & Incredibly Close
**Thank you John Green for your wonderful book The Fault In Our Stars.
Friday, March 1, 2013
Fragile
“I lub you Nonnapoppa! Bye-bye!”
Thursday, January 31, 2013
It's All A Blur
In December I read Fahrenheit 451 with my ninth graders. If you haven’t read it, Bradbury’s novel tells the story of what happens to a society when people, for one reason or another, stop thinking critically. It happens in stages.
If the antihero, Captain Beatty, is to be trusted, people bring their problems on themselves. They get intimidated by complex ideas, and they stop doing the necessary work to understand what's going on. As a result, they stop reading, and stop thinking, and become consumed with nonsense.
If we consider Faber’s point of view, another character from the novel, we realize also that when ideas get reduced and oversimplified, when we are no longer surrounded by quality ideas, and the pace of life increases at the same time that our leisure time is reduced, these things also contribute to a society's deterioration. And, if we lose the right or ability to act on the things we learn, think, and believe, then we lose the impetus and ability to think at all— even if we want to. Our brain, like an underused muscle, loses its strength.
Fahrenheit 451, first published in 1953, offers a clear warning. We are meant to be put on guard so our own world doesn’t turn into a world like this, where people become disconnected from each other, and disconnected from nature and, as a result, less and less concerned about taking care of what’s around us—our friends, our loved ones, and the natural world that sustains us. We are supposed to see the consequences of a society in which no one thinks critically, and no one acts; we are supposed to see that such a society will cease to exist...
Right now, the wind is howling outside my windows, blowing leaves past horizontally, over newly exposed grass and mud. The next cold front is blowing in over the mountains, pushing out the weather system that caused rain here for the past 24 hours. The snow is nearly gone; yesterday the temperature was in the fifties. Today, the temperature is plummeting again, with wind chills below zero expected for tomorrow. The world is seizing up.
With my eleventh graders, I’ve just reread The Grapes of Wrath. If you haven’t read it, you should. A man made ecological catastrophe, people displaced from their homes, millions of people devastated by economic and environmental ruin. And among them, Steinbeck’s Joad Family.
“Literature has no practical function, but every day people die for lack of what is found there.”
-William Carlos William, paraphrased by Richard Bausch.
Here is why you should read The Grapes of Wrath: Tom Joad and Ma Joad. Rose of Sharon. Pa and Uncle John. Al and Ruthie and Winfield. You have to spend time with them to understand whom you’re dealing with; you have to make the drive from Oklahoma to the green California valleys to know their depth--so simple, on the surface, and yet so rich in character it’s easy to imagine they are real.
Last week, proctoring a study hall, I heard two girls talking over the noise of the printer in the next room. They were discussing the novel. “I’m in love with Tom Joad,” one told the other. “I’m in love with Ma!” came the quick reply. And I agree with both of you, I thought, smiling.
It’s hard to know what happens to the Joads after you fall in love with them. I’ve spent days talking with kids about whether Steinbeck meant for his novel to be hopeless or hopeful. At some level, I think the answer is both, and I tend to lean toward happy endings generally, but that’s beside the point. What you do know, undeniably, when you make it to the end, is that nature is not forgiving and that humans have an unnerving capacity both for selfishness and for selflessness. And if Steinbeck is to be trusted, it is profoundly clear that no one is going to make it in this life alone.
Another night last week, here on campus, I watched Beasts of the Southern Wild. I set it up for students to see, but only two kids showed up, and only one lasted to the end. When it was over, she and I were the only ones there, and we struggled to talk about what we had just experienced--neither of us yet sure what to say, both of us sort of stunned by the images and speechless about some of the themes.
The next morning, serving breakfast, I saw her again. We both agreed we liked it more, as the swirling images had begun to coalesce. One image, in particular, made the whole film worth it for me: tiny Hushpuppy in the arms of someone we assume to be her mother, all limp limbs and heavy head on the shoulder, surrendered to the safety of the embrace.
I’ve been at work, in some form or another--teaching, running dish crews, supervising dorms, holding parent-teacher conferences, announcing results at ski races--for some part of every single day this month. “Mom’s working” is Quinn’s latest phrase. Saturday will be my first day off in 32. I'm going to wake up and not run out the door. Quinn and I are going to "do baking" and make "pancake balls." Then we're packing up our peanut butter crackers and we’re going on a “benchure.” We’re driving south so she can see her Nonna and Poppa, and I can see my sister and my nephews. We’re probably going to spend some time making tea.
And every time she says, “Mama, want a kiss?” I’m going to say yes (but that's probably stating the obvious). And hopefully, sometime soon after we get back home to Vermont, the world will feel right again.
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